My main source of inspiration and renewal, in life as well as art, has always been landscape spaces. What interests me in nature is the complexity of the space, the constant transformations taking place that are impossible to make material. So in the imaginary landscapes I draw, there is always movement and ambiguity. My training in designing typefaces has heightened my awareness of how the edges between things define our physical world, of how we perceive space through our recognition of contrast and texture. I think this way of seeing is one of the keys to the mystery of how we create correspondences between, say, an abstract brushstroke and a babbling brook. I'm interested in leaving the means of illusion, the maker's marks, visible to the viewer, whom I think of as a traveler in my paintings.